Singapore Interior Photographer Service

This is a self-promotional professional photography for interior photography service.

A very quick blog.

I started serious interior photography many years ago when i was tasked to shoot a series of pictures for a start-up company based in Germany. For that project, i invested in a very costly lens at that time purely for this specialized project. I have to admit i want that 17mm tilt-shift lens for architecture photography and to feel good as well. Every man gets excited about a new toy.

For interior photography work. The camera gears am using as such,

Canon 5D Mark III – A full frame camera, nowadays i will utilize the live view screen to check the details when am doing manual focus. Making use of technology to make my life easier, it would be a waste to pay over $4000 to not use such function.

16-35mm – An ultra wide-angle lens can go up to 16mm to cover the width of the space, especially when the place is huge. I usually try to go more than 16mm because of distortion purpose on camera.

17mm Tilt-shift – Making use of the tilt shift function if i want to reduce the foreground, and also for a better perspective if a certain condition doesn’t allow me to have a good perspective. It doesn’t have a built-in autofocus function.

70-200mm – Zoom in for details shots.

Portable Flash Light – Mainly use to fill in the shadow area, give the scene an extra pop and contrast if needed, depending on the lighting condition.

Tripod and Head – Previously using a SLIK tripod i got for the first time when i picked up photography, but the tripod was already more than 10 years old and offers very limited function and safety aspect. It was the perfect time to upgrade to a Manfrotto 190 carbon fiber tripod. Using an XPro 3 Way head to mount my camera. Tripod is extremely important to eliminate blur images.

I usually work on my interior shots using ambiance light. Setting a low ISO, low shutter speed and small aperture for my camera setting. This is more of a photography technical aspect to get a good exposure.

My rate for interior work usually won’t be over a thousand dollar unless the shoot scatters many days or different places.

Drop me an email if you like me to help you in your interior picture solution.


If you are new and wish to find out more about my work

Commercial Photography
– View of Industrial Vehicles
– My Work Flow On Corporate Photography
– I Love Architecture Photography
– Industrial Photography – Construction
– Logistic Photography 
Singapore Interior Photographer Service

Travel Photography
– 1 in Beijing
– 2 in Bangkok
– 3 in Sri Racha
– 4 in Nepal
– 5 in Vietnam

Industrial Landscape

I always try to find a balance between industrial work and finding my art. A very delicate process that is hard to achieve. Most of the time the final pictures usually ended up being the regular requirement by the client, i totally don’t mind at all, after all, i am paid to solve their picture problem. However, if i see an opportunity to do it both ways, i feel is even more beneficial.

Here are some of the industrial landscape shot that i made; both personal and work.

Using a 17mm tilt shift lens, capturing an underground digging site against the series of office towers as a backdrop. 

No drone, not a problem. A bird’s eye view of the machinery in action by using a telephoto lens to zoom in on the activity

When the day is blue and accompanies by some fluffy clouds, is great opportunity to make the tower cranes stand out in this construction environment. Using an ultra-wide angle to capture the entire scene

After months of waiting, finally saw the tanks are ready, the blue sky appeared at the right moment. Was on a boom lift using a telephoto lens to capture this finishing massive product

Capturing the biggest gantry crane i ever come across. The gantry crane was lighted up with starburst effect. I waited for the cars to make a turn for a light trail effect

Construction of an underground train station during the magic hour. Capturing the entire busy area

Is possible to mix commercial work with a little bit of my art. But to produce extensive work like this requires a lot of time and understanding of the site. If the chance arises, and i can do it better, why not.

 


If you are new and wish to find out more about my work

Commercial Photography
– View of Industrial Vehicles
– My Work Flow On Corporate Photography
– I Love Architecture Photography
– Industrial Photography – Construction
Logistic Photography

Travel Photography
– 1 in Beijing
– 2 in Bangkok
– 3 in Sri Racha
– 4 in Nepal
– 5 in Vietnam

Logistic Photography

This is a self-promotional for Logistic Photography Service

I was commission by a company from UK to do a photo story of a logistic operation based in Singapore. Client’s brief was very clear, mood board was attached. I will have a better understand what type of images the client is specifically looking for. I love to solve client’s problem, this is what professional photographer is hired for. Deliver what the client needs, yet at the same time have the free flow of creative space to present the final work.

I always made an effort to do a recce at the warehouse before the commencement of the photo shoot. I have to emphasise it is important to check out the location first before the commence of the actual shoot.

– Understand how the warehouse environment looks like
– Finding the potential photography angles
– Know how their operation work
– Which area in the warehouse is required to rearrange
– Condition of the lighting
– Discuss/speak with the person in-charge of the project in details

Shooting on the vehicle side mirror to picture a glimpse of the action

Logistic personnel enacting their daily work process

Activated the scissor lift for a better perspective of the warehouse

Forklift in action

Staff pulling a pallet jack

Working scene from an elevated angle

Click on my logistic operation portfolio as well.

For enquiry click on my email for your picture solution.


If you are new and wish to find out more about my work

Commercial Photography
– View of Industrial Vehicles
– My Work Flow On Corporate Photography
– I Love Architecture Photography
Industrial Photography – Construction

Travel Photography
– 1 in Beijing
– 2 in Bangkok
– 3 in Sri Racha
– 4 in Nepal
– 5 in Vietnam

My Workflow On Corporate Photography

How do i work on Corporate Photography, my way!

Basically there will be enquiry made. I either talked on the phone or through email with the potential client. Once the fee for my corporate photography service is successfully agreed upon. I will request to do a scouting at the client’s office to understand their office surrounding. This is also an opportunity to build rapport with the client on the ground rather than communicating through the phone or email. Unless the point of contact is not based here, which always happened.

The day before the photo shoot, all logistic must be prepared and tested. I will also hired an assistant in advance depending on the scale of the project, time and budget given.

On shoot day, i will be on location an hour or 30 mins earlier to prepare. When the shoot commence. I will introduce myself to the person i am going to work with. Shake hand, ask for the name of the person so i can communicate better when directing for poses.

I will give specific instruction to the person to either stand or sit, depending on the client’s brief. I have a designated spot for my subject to position, also clearly brief the person what is expected, and also share how the picture is going to turn out; i want the person to have an idea what is going to happen.

The first few pictures usually is a warm up session for my subject. Allowing the person to get used to my camera or presence. Some people i came across were nervous, scare or stiff. I think is understandable. Posing in front of the camera can be a little nerve wrecking. I always double check to make sure the person is comfortable in whatever pose i request.

If the person is not comfortable during the shoot, i can sense it immediately. That’s what i like about shooting through the viewfinder. It has this “hidden power” to see through a man’s thought. I have to communicate more to make the person is at ease.

Encouragement is very important in the process. People from the corporate are not train models. They won’t understand what is main light, how to pose for picture, whether to smile or not to smile. My instruction is undemanding. Be relax, smile. Easier said than done, trust me.

Capturing a good corporate picture for a person is not only about setting up the best lighting, or arm with the most expensive or the latest camera model. The key is communication with my subject. Telling the person to relax and smile may seems like a very simple thing to do. But i wouldn’t know what is going through the person’s head. The person may have a rough day, stress in work, or may have an important presentation coming up later. Whatever the reason is. The photographer need to be patient and understanding of the situation yet getting that good picture.

A few even asked me to tell them a joke to make them laugh. Sorry to say my occupation is not to be a clown or entertainer to make you happy. I usually brushed them off politely, show them i am professionalism in my work, of course i never tell the person off, is rude.

Is not hard to make small talk to ease off my subject’s anxiety. My profession also require me to be very good in PR. I was never shy of speaking with various people of different nationalities and industries, different positions from executives to the CEO.

The best compliment i can receive after the shoot was the person came up to me saying: “Thank you for the encouragement.” I feels really good to hear that, knowing i have make someone else more confident about themselves.

Email to check for my availability for your picture solution regarding corporate photography.

 

If you are new and wish to find out more about my work

Commercial Photography
View Of Industrial Vehicles

My Workflow On Corporate Photography

How do i work on Corporate Photography, my way!

Basically there will be enquiry made. I either talked on the phone or through email with the potential client. Once the fee for my corporate photography service is successfully agreed upon. I will request to do a scouting at the client’s office to understand their office surrounding. This is also an opportunity to build rapport with the client on the ground rather than communicating through the phone or email. Unless the point of contact is not based here, which always happened.

Before the day of the shoot, all my logistic will be prepared and tested. I will also hired an assistant depending the scale of the project and time allocated for the photo shoot.

On the day itself, i will always be on location an hour earlier to prepare. When the shoot commence. I will introduce myself to the person i am going to work with. Shake hand, ask for the name of the person so i can communicate better when directing for poses.

I will give instruction to the person to either stand or sit, depending on the client’s brief, i have a designated spot for my subject to position, at the same time briefed the person what is expected and also share how the picture is going to turn out; i want the person to have an idea what is going to happen.

The first few pictures usually is a warm up for my subject. Allowing the person to get used to my camera or presence. Some people i came across were nervous, scare or stiff. I think is understandable. Posing in front of the camera can be a little nerve wrecking. I always double check to make sure the person is comfortable in whatever pose i request.

If the person is not comfortable during the shoot, i can sense it immediately. That’s what i like about shooting through the viewfinder. It has a hidden power to see through a man’s thought. I have to communicate more to make sure the person is at ease.

Encouragement is very important in the process. People from the corporate are not train models. Most people won’t understand what is main light, how to pose for picture, whether to smile or not to smile. My instruction is simple. Be relax, smile. Easier said than done, trust me.

Capturing a good corporate picture for a person is not only having the best lighting set up, arm with the most expensive or the latest camera model. The key is communication with my subject. Telling the person to relax and smile may seems like a very simple thing to do. But i wouldn’t know what is going through the person’s head. The person may have a rough day, stress in work, or may have an important presentation coming up later. Whatever the reason was. The photographer need to be understanding of the situation yet getting that good picture.

A few even asked me to tell them a joke to make them laugh. Sorry to say my occupation is not to be a clown or entertainer to make you happy. I usually brushed them off politely, show them i am professionalism in my work, of course i never tell the person off, is rude.

Is not hard to make small talk to ease off my subject’s anxiety. My profession also require me to be very good in PR. I was never shy of speaking with various people of different nationalities and industries, different positions from the staff level to the head of the company.

The best compliment i can receive after the shoot was the person came up to me saying: “Thank you for the encouragement.” I feels really good to hear that, knowing i have make someone else more confident about themselves.

Email to check for my availability for your picture solution regarding corporate photography.

View Of Industrial Vehicles

WARNING: This is a self promotional professional photography industrial vehicle service!

I’ve been frequently going in and out of the construction site to do site documentation photography. I thought of setting up a more focused portfolio on industrial vehicles in action.

Excavator in action

Rough terrain forklift carrying machine

Bird’s eye view of excavator

Rear view of a road roller in work

Truck mounted crane

Email me for enquiry if your company wants more of an ‘artistic’ picture.

Using 17mm Tilt-Shift lens in construction photography

Bringing a 17mm tilt shift lens into a construction site for work does carry certain risk. As you can see in the picture below, the lens element is protruding out unlike most of the lenses. The curve surface easily attracts more dust particles onto it. It does not comes with lens hood when purchase. I think there is a third part lens hood for it.

Yes i bring this expensive lens to construction location for industrial photography work since 2015. Although this awesome lens is mainly used for architecture and interior photography. I bring it a step further by utilising this lens in the industrial sector.  The days of converging picture are gone forever. Using this lens to shoot tower crane for example.

Less foreground and having a better perspective. 

As you can see on the above pictures, all the key subject is straight. These images will make your picture presentation stand out among the rest! Is really worth the investment to purchase this lens.

Kindly make a comment if you have any question, or just to say Hi.