With millions of images displayed on the web each day. Scrolling through the never ending digital data (images), leaving some good images in the dust, or waiting to be discovered like a hidden diamond buried deep in the cyber world. With so many images uploaded online daily. I wonder which picture have the potential to tell an unheard story.
Am sure many have not thought about the journey behind an intriguing photograph? For example in an exhibition, is normal for people to admire a very beautiful picture and move on to the next, and next until the last photograph. During this process, some may have studied the interesting details, observing the vibrant colors, thinking what is the story in it, or some simply couldn’t understand, because it could be too abstract, or unrelated to the person’s feeling in that moment. Whether the picture is worth it value? This depends on the individual perspective towards it.
However, viewers should have another viewpoint as well, the amount of hard work put in behind the final image. Regardless on the genre in photography.
Most people only get to see the beautiful side of things in life.
Rich people get rich because they work extremely hard to earn money. Fashion models look great in the magazine because they have a strict diet regime. A muscular man looks fit and hardy because they eat the right food, work out twice the amount than any other normal people. As for photographer in my opinion. Repetitive journey and time are used to get that one good picture.
Below is an architecture image of condos at Tanjong Rhu. An upscale residential area. Am going to share how this final image came about.
I love exploring around urban areas in Singapore. Especially tall buildings that built as high as 40th levels, it offers me a good vantage point of the environment surrounding. I have been doing this for the past 12 months since 2015, whenever i have the time. It was never a deliberate attempt to shoot anything in particular, but the curiosity to explore, search and wander around drives such passion. Along the way i discovered new scene, made attempt to get the picture i have in mind.
For this scene at Tanjong Rhu, i wanted to do an architecture shot. I had made least 3 attempts on different dates and weather condition. What attracts me back is because of the layers in the scene. I divide the composition into 5 segments. First, the foreground consists of the abundance trees and river. The second layer is the clutter condo, where it’s unique feature i observes have a roof design on top of each building, with bright orange color on it, presenting a very distinct identity in the area. The third layer can be divided into 2 sections, on the left is condos under expose, on the right side, are trees, or undevelop area for now. The fourth layer is the sea where many large vessels and oil tankers ship queuing to go port. And the fifth layer is the sky where there is a plane happen to be on the top right, aviate towards Changi airport direction. So, this various observation of the elements entices me, giving me a pre visulation of the final image.
I equip myself with a Canon 5D Mark III and a 70-200mm lens. It is perfect for me to capture everything in a frame without having to crop. Even though is a daylight, with sufficient shutter speed and small aperture, i set up my tripod to mount my equipment. This will comfortably allow me to observe the changes in the scene and click to my liking without losing the composition. My persistence pays off on this 3rd trip, the light was perfect, it was shinning on my main subject (condos). While the rest behind was underexposed by at least 1 stop. I was glad there were no clouds hovering on top, am able to get some blue hue which was way too perfect! It seems magical in that moment, i made a few exposures before the scene changes, i wonder when will such a sight appear again, it will be a long wait or even more return attempts!
The rest was history, upload it onto the computer, spend some time to do the editing, keywording and description. Share it with the rest of the world.